Geekscape Year in Review: Our Favorite Movies of 2010
<p>A lot of people referred to 2010 as a thin year for film. Looking back, I think a lot of those people were just disappointed that Iron Man 2 didn’t make them as crazy as Iron Man 1 and that summer tentpoles like Knight and Day, The Last Airbender, The A-Team and more fell with a thud. On top of that, Oscar buzz movies didn’t really fill the screens until mid-December. Maybe the lack of surprises (and the lack of Avatar) is what made this year look thin in retrospect. The truth is, I had a tough time writing my list. Good films like Inception, The Fighter, Scott Pilgrim and Despicable Me were pushed out and movies that I really enjoyed such as The Karate Kid remake and even the sillier than a tank of Sea Monkeys A-Team and Expendables didn’t stand a chance. Looking back, I think most people will agree that 2010 was a pretty diverse year that had a lot to offer (even if Iron Man 2 was too much of a mixed, over-cramped bag for even the most faithful of us). To help us remember 2010 for what it truly was, here’s what the Geekscape movie experts thought was worth remembering:</p>
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<h2>Jonathan London</h2>
<h2>10. The Crazies</h2>
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<p>This is what the multiplex was built for! A horror movie where the main characters are acting logically and still barely staying ahead of the increasing number of enemies at their heels! This was about as fun a ride as you could have hoped for in 2010. Every B-list video game and comic book adaptation should take note. This is how you make the A-list (as Stephen Norrington and Guillermo del Toro showed us with the first 2 Blade films).</p>
<h2>9. Leaves of Grass</h2>
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<p>The only movie from SXSW that stayed with me. It’s a shame that this movie didn’t get some form of theatrical release. You really should Netflix it right away. Tim Blake Nelson wrote and directed a movie that should have been on most critics lists and Ed Norton gives TWO performances that each would have been on everyone’s lists as well. As technically impressive as the Armie Hammer doubling in The Social Network… but with much different character acting and carried through the entire film (and on a fraction of the budget). You really owe it to yourself to see this film.</p>
<h2>8. The Town</h2>
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<p>Ben’s my boy. He made a solid as hell movie with kick ass performances and a well written script. He’s 2 for 2. I hope you are happy with the way you treated him now, America! So the guy wanted to make some action flicks. Who doesn’t!?! Luckily for us, he is now delivering action flicks of his own, complete with intrigue, layered character work, solid narratives and emotion.</p>
<h2>7. The Social Network</h2>
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<p>Technically impressive on so many levels, both visually and structurally. This is just a solid film all around. I wish I had cared more about the story and most of the characters but I couldn’t help but enjoy myself as I watched the events unfold. All of the fat that was present in the slower Zodiac was gone and all of the character remained.</p>
<h2>6. How to Train Your Dragon</h2>
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<p>This was the most pleasant surprise of the year. I wasn’t expecting anything from this movie opening weekend and it turned out to be a perfect animated film. It was tough putting this one below Toy Story 3, and sentiment may have been the deciding factor. As the years go on, I think we’ll all remember this movie as fondly.</p>
<h2>5. Toy Story 3</h2>
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<p>I’d only be redundantly repeating past writers’ opinions in talking about how special this movie was. It was great to see old friends again… and the places they have gone.</p>
<h2>4. The King’s Speech</h2>
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<p>James Franco has company for best male performance of the year… but it comes from two distinct performances in Colin Firth and Geoffrey Rush. And this is the best original script of the year. Just watching these two actors go back and forth would be enough to make this movie one of the best of each of their stellar careers. As precise as their performances are, the writing and the visuals are just as carefully calculated. Everything in this movie works as it evolves beyond engaging and into an edge of your seat experience… and it’s a story about learning how not to stutter!</p>
<h2>3. Black Swan</h2>
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<p>I’ll be the millionth person to call this the best horror film of the year. Natalie Portman gives the best performance of her career and takes her career to an even higher level (just in time to be in an Ashton Kutcher romantic comedy). As painful as the characters actions were to watch at times, it was exhilarating to see them captured in this way (and they were pretty strictly captured… and tortured… and tossed around).</p>
<h2>2. True Grit</h2>
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<p>The best adapted script of the year (and probably best script overall). I can’t heap enough praise on the amazing characters and performances in this film. Everyone is on their A-game. Every character is clear cut, fleshed out and jarringly different. The scope of the movie is grand even if it’s told simply and economically. Each moment of this film is a celebration of the medium and they come with such ease that you’re willing to follow each one to the next even as they begin to careen further and further out of control. This was a fantastic ride.</p>
<h2>1. 127 Hours</h2>
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<p>The best movie I’ve seen in years. Every second of this film is squeezed for maximum effect. James Franco gives the best performance of the year, and I know this because my parents love him and thought his character was a self-important and reckless jerk (which is what gets him into trouble in the first place). No movie this year tackled larger themes on as large a scale and Boyle did it by using a relentless and perfect blend of sound and images to put one man’s struggle for life and discovery of profound perspective under an excruciating microscope. I’ll be shaken and inspired by this film forever.</p>
<h2>Best Time At The Movies While Leaving My Brain At Home: Skyline
<p>I’m guessing that this is how everyone but me felt about Cloverfield.There is nothing great (or maybe even good) about this movie. But the characters don’t act (completely) dumb (as they constantly did in Cloverfield) and these are some of the coolest and most daunting aliens I’ve ever seen in a movie (you can’t beat them off with a shoe like they did in Cloverfield). Will Smith wouldn’t last too long in this SyFy Original-style movie brought to the big screen. It was ridiculous… but leave your brain at home and sugar up before you take your seat.</p>
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<h2>Ivan Kander</h2>
<h2>Catfish</h2>
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<p>If the Social Network depicts the creation of our current online culture, Catfish forces us to—if I may use a tired phrase—reap what we sow. It’s a movie about a young photographer who forms a relationship with a woman through facebook. As the relationship grows, our intrepid hero (and the audience) realizes that something isn’t quite right with his mysterious cyber sweetie, Megan. And, therein lies the rub. There’s a lot of hoopla about the movie’s “twist” regarding Megan’s true identity, but clever marketing aside, it’s not really the point—at least not for me. This is movie about the consequences of defining ourselves through pixels—through the online personas we create. And, no, the irony is not lost on me that you are in fact reading this through the hallowed fiction of cyberspace. With the advent of the public-facing nature of the internet, everyone is essentially a celebrity. Our photos…our thoughts…our lives—all of it is exposed to the world like we’re all stars in our own network reality series. Catfish simply shows us this fact in narrative form. I hesitate to call it a movie for our time, for with our fleeting attention spans, perhaps it’s best described as a movie for the time before your browser refreshes.</p>
<h2>Exit Through the Gift Shop</h2>
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<p>I recently caught up with Exit Through the Gift Shop, a documentary about graffiti and street artists that made waves at this year’s Sundance Film Festival. Very rarely does hype ever live up to final product (see this year’s critical darling Winter’s Bone), but Exit manages to not only meet expectations—it exceeds them. Like the very concept of street art, it’s a difficult movie to describe in a quick logline. Essentially, it follows hapless French filmmaker Thierry Guetta and his search to locate and befriend the notorious street artist Banksy. What results is a meta, “is-this-actually-real?” journey through the nocturnal world of street artists and the cities that are their canvases. This alone would be interesting fodder for a film, but things really begin to ramp up as Gift Shop transforms into an active dissection of that age-old collegiate question: what defines art? (you can stop rolling your eyes now)</p>
<p>The movie is bold, fast-paced, and hilarious. Equally impressive, it made me think (as in actively ponder things) more than any other movie I saw this year. In our current society, now more than ever, it’s easier to create art. In response, Banksy seems to be asking, what defines actual ability in a world where everyone has it? Or, more to the point, in a world where no one can tell the difference?</p>
<h2>Easy A</h2>
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<p>John Hughes may have invented the high school movie. But, its stuff like Easy A that reinterprets the genre for a new generation. Ripping a page from the acidic wit of Tina Fey’s Mean Girls, Easy A is a modern high school fairy tale—the sort of story that abounds with high school cliques and clichés that ultimately, through sharp writing and acting, manages to defy them. Emma Stone is adorable as a lead character who pretends to be a slut for social and financial gain. The rest of the supporting players are equally as well played, with especially rousing bit performances from Stanley Tucci and Patricia Clarkson. Easy A may not reinvent the wheel, but it’s a high school vehicle that is sure as hell fun to take for a ride.</p>
<h2>True Grit</h2>
<p>I’ll admit, there was a time when I didn’t necessarily “get “ the Coen brothers. Or, maybe it was that I just didn’t get what there was to get. As my movie tastes grow, I’ve realized that the Coens are essentially budding linguists—two very talented men that love language and love the varying ways that different people use it. From the accents of Fargo North Dakota to the southern dialects in Raising Arizona, the Coens craft tales where speech itself is the star. That’s not to say they don’t also get the rest of the details right. With True Grit, they’re firing on all cylinders. It’s a western that is as thrilling, beautiful, and suspenseful as it is funny. Amidst it all—stemming from the spectacular performances of Jeff Bridges, Matt Damon, and newcomer Hailee Steinfeld—is that glorious attention to dialect. I guess it’s easy to say that Coens that are at the top of their cinematic game. But, really, is that a fair assertion when really they’re the ones who keep on defining the rules.</p>
<h2>The Kids Are All Right</h2>
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<p>The setup is pure indy-comedy quirk: two kids from a same-sex couple are out to find their biological father. Shenanigans ensue. But, there’s more…so much more. Lisa Cholodenko’s smart family comedy, The Kids Are All Right, takes what could have been strictly a gimmick and turns it into a story that is touching and real. Both character and plot development get equal screen time here, and the strong cast of female leads breaks Hollywood convention. The writing is well-paced and witty, but really, the movie shines when it takes a step back to analyze what makes a family—for lack of a better word—a family. With this heartfelt realization, Cholodenko may have actually made this year’s most commercial, audience-friendly film. That is, lesbian moms aside.</p>
<h2>How to Train Your Dragon</h2>
<p>It’s unfortunate that in the world of animated movies Pixar always seems to get the critical acclaim while Dreamworks gets the short end of the proverbial stick. While Toy Story 3 was fantastic (see below), so was Dreamworks equally impressive offering, How to Train your Dragon. Stocked with lush visuals, fantastic set pieces, and solid voice acting, How to Train Your Dragon is a thrilling example of great storytelling combined with flawless animation. But, what really makes the film fly? The connection between a boy and his first pet, which in this case, is an adorable dragon named Toothless. It’s this relationship that drives the movie to a personal place—one filled with equal parts honest sentiment and nostalgia. Now, if only I could adopt my own dragon…</p>
<h2>Toy Story 3</h2>
<p>Oh, right, Pixar…so can they ever screw up? Seriously, I imagine Pixar Animation Studios to be an enchanted place filled with sparkles, love, and unicorns. This year, much like before, the lauded magic factory delivers yet another masterpiece, Toy Story 3. Yes, I said it. A masterpiece. Although it may never have been originally conceptualized as a trilogy, the Toy Story series is representative of how far character development and storytelling can go when properties are in the right creative hands. From Andy’s youth to his eventual departure for college, our journey with Woody, Buzz, and the gang is as fantastic as it is heartfelt—a story that honestly depicts the fleeting nature of youth in combination with grown-up ideas like loyalty and companionship. And, it does all this through the eyes of plastic toys. Now that ladies and gents, is truly magic.</p>
<h2>127 Hours</h2>
<p>Sure…on the surface it’s one of those ripped from a headline stories that Hollywood loves to churn out year after year. But, this one’s different. 127 Hours—the filmic adaptation of real life hiker Aron Ralston’s harrowing journey of survival and eventual life affirmation breaks the mold of typical Hollywood melodrama. We may have seen these themes on screen before, just not done this damn well (at least not in my recent memory). You could attribute the movie’s success to Danny Boyle’s lively visuals and James Franco’s amazing performance, but really this movie works because of its simple, solitary premise—not, as some would have you believe—in spite of it. It’s about a boy and his rock, and, in turn, every little detail is escalated from the mundane to the extraordinary: the stream of sunlight in Ralston’s dimly lit cave…the drops of water resting in his canteen…the stretch of one’s leg to reach the object that is just a bit too far out of reach. And, as the film reaches its inevitable conclusion, all you can think about is how these little things—these normally overlooked objects and moments—make life worth living.</p>
<h2>Inception</h2>
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<p>If Chris Nolan pioneered the thinking man’s blockbuster with the Dark Knight and the Prestige, he has refined it with Inception. It’s the rare sort of movie that manages to give it’s audience equal dose spectacle and head-scratching mythos, all while keeping the whole production moving at a frantic pace. This is urgent filmmaking by a modern filmmaker, obsessed with the layers and puzzles hidden inside our mind. And, damn is it fun to watch. In our current era of Hollywood-moviemaking, where huge budgets are synonymous with sequels and super heroes, Inception proves that big, bold innovation can still bring in the dollars, and more importantly, the goods. BRAAAMM!</p>
<h2>The Social Network</h2>
<p>The creation of a website shouldn’t be interesting. It just shouldn’t be. Neither should legal briefings or closed-door depositions. Or, college dorm life and copyright legality for that matter. But, in the Social Network they just are. With the facebook movie (as it’s been affectionately dubbed) director David Fincher and screenwriter Aaron Sorkin, have delivered a film that feels as epic as the Godfather. Fincher is at the top of his visual game here. So is Jesse Eisenberg with his portrayal of facebook founder Mark Zuckerberg. But, as much I enjoy all of these things—as much as I relish the machine-gun paced, one-upmanship dialogue from Sorkin, the Social Network really shines in the moments of silence. As we watch young Mark Zuckerberg stroll through Harvard Square on a cold winter night, we are given the inclination of a mind hard at work—he’s a kid so far separated from the rest of us that he just may be the only person capable of virtually connecting us. Think about that…about how the connections we make nowadays can be terminated with the simple change of a relationship status. Or, in the case of The Social Network, a billion dollar lawsuit. The story that both Fincher and Sorkin are telling here may not necessarily all be true, but what they’re saying about our generation and human nature most definitely is.</p>
<h2>WORST MOVIE OF THE YEAR</h2>
<h2>The American</h2>
<p>Sure, technically, there were probably worse movies to hit theaters this year. But, there’s something about the American—with its faux-intelligent “artsy” pandering—that just pisses me off. On the surface it’s a slow-burn espionage thriller starring George Clooney that harkens back to vintage paranoia thrillers of the 70s. In reality, it’s just boring. Really boring. I’m talking five minute long takes of the Italian countryside boring. Amidst all the dullness and ponderous pacing, we get George Clooney mugging lonesome for the camera. A tortured hitman? How ingenious! The American is the type of movie that gives smaller, sparce films a bad name. It’s fulfilling a sort of “art-film” stereotype, complete with gratuitous, awkward sex scenes and long takes of people sitting and doing nothing. Clash of the Titans and Prince of Persia may have been dumber theatrical experiences this year, but at least they had the courtesy to not pretend to be smart.</p>
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<h2>Eric Diaz</h2>
<h2>#5.The Black Swan</h2>
<p>It is a disservice to call this film either a psychological thriller or a horror movie or an art film…because it all of those things and none of them. Darren Aronofsky’s direction is stellar as usual, but it is Natalie Portman’s performance that makes this movie what it is. Portman has been competent to good in some movies (V for Vendetta, Garden State) and terrible in others (a certain trilogy that shall remain nameless) But it is here in the Black Swan that she shows the world what she can really do, and I was blown away. In my book, it is Natalie Portman’s Oscar to lose in 2011.</p>
<h2>#4.TIE! Scott Pilgrim Vs. The World/Kick Ass</h2>
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<p>Two unconventional comic book movies make this one a tie. Although both based on comics, neither could be more different from each other, and neither made much of a splash at the box office either sadly, assuring that more unconventional and lesser known comic book properties will have a hard time making it into theaters in the future. But we’ll always have our DVD’s and Blu Rays of these two wonderful flicks forever.</p>
<h2>#3. The Social Network</h2>
<p>Who knew the founding of Facebook could create sooo much drama, and make for such a tight and brilliant film too? Well, apparently David Fincher and Aaron Sorkin did when they optioned the book The Accidental Millionaires, but to the rest of us the notion of a movie about Facebook seemed pretty un exciting. I mean, we all spend enough time on the damn thing, who wants to see a movie about it too right?</p>
<p>Apparently, we all did. Fincher and Sorkin managed to create real dramatic tension out of something I once thought was best saved for a History Channel special. Trent Reznor’s score was equally brilliant, and I can’t believe I’m saying this, but I hope Justin Timberlake win the Oscar for Best Supporting Actor this year. Only time will tell if The Social Network truly is the movie that represents the current generation, but my gut tells me it will be.</p>
<h2>#2. Inception</h2>
<p>Christopher Nolan’s film about the perfect dream heist (or rather, perfect dream planting ) is part Nightmare on Elm St,part Ocean’s 11, and part Shutter Island (but totally better) The rare thinking man’s action movie that did the rare thing of pleasing both the audience AND critics alike. While there was some fanboy hyperbole saying Inception was the greatest movie ever made when it came out, and of course, it totally isn’t….that doesn’t mean it isn’t pretty damn impressive.</p>
<h2>#1. Toy Story 3</h2>
<p>I really, really wanted to give the #1 slot to Inception or The Social Network, if only because those were original films and not sequels, but in good conscience I just couldn’t. The Best movie of 2010 was a threequel of all things. But Toy Story 3 did just about everything right, from acting to pacing to action sequences to eliciting genuine emotion at the finale. Not to mention the animation, but this is Pixar so that goes without saying. Pixar proves that being the third in a series does not mean you need to suck. In fact, it means you can surpass all expectations and have an instant classic instead.</p>
<h2>Worst Movie:</h2>
<h2>A Nightmare on Elm Street</h2>
<p>Despite some wonky acting and an ultra low budget, the original Nightmare remains a true horror classic that still holds up today. The real villain of the original movie wasn’t just Freddy Krueger, but also the parents of the children. In this new version, the parents are barely present as to not matter, therefore missing the whole point of what the original film was trying to be about (aside from, you know, blood and guts and stuff) Let us just say that Robert Englund’s place of honor as THE Freddy Krueger is secure.</p>
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<h2>Matt Kelly</h2>
<h2>10. The Lost Skeleton Returns</h2>
<p>The original Lost Skeleton of Cadavera has always been one of my favorite films. It managed to be a lovable homage to the shitty-sci-fi movies of the 50’s instead of a direct Parody. The whole cast and crew returned for this fun and bizarre sequel. Much like the original, if you didn’t grow up watching movies like this with your parents (or grandparents) than it’s just a dumb movie, however if you are familiar with the subject matter, you’re truly in for a treat.</p>
<h2>9. Harry Potter and the Deathly Hollows Part 1</h2>
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<p>I’ve always been quite disappointed with Harry Potter the movie series. I love the books, I love the fandom, I even love the Wizard Rock Groups… but the movies just always failed to deliver. I didn’t hate the films, but they just never lived up to how great the books were (A frequent complaint about any adaptation); however, but dividing the 800 page Deathly Hollows into two movies we’ve come closer to matching the book than ever before. Every Cast Member is on top of their game this time, the cinematography is top notch and it ends wonderfully with a feeling of dread; it took 7 movies to get here, but this is Harry Potters “Empire”</p>
<h2>8. Never Sleep Again</h2>
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<p>2010 is a year where I really fell in love with documentaries; this is the first of 3 documentaries to make my list. Never Sleep Again was a direct to DVD documentary about the making of the Nightmare on Elm Street Series (not the first film; all 8 movies with Freddy) and runs somewhere in the 3 and a half hours range. I’ve watched this documentary at least 3 times. It’s completely fascinating and enthralling. What makes this documentary so outstanding however is do to it being independently made no one is holding back. When they think Dream Child was a pile of Shit… they straight up say it is. Furthermore this documentary will go down as the first time cast members opening admit that “yeah, Freddy’s Revenge is a giant Gay Metaphor”.</p>
<h2>7. Hot Tub Time Machine</h2>
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<p>Hot Tub Time Machine is not a perfect movie, it’s not even a perfect comedy but it’s still extremely delightful. It’s a movie without its faults; for starters there are a few “Gross-out” comedy moments that feel forced; but beyond that it’s a fresh 80’s coming of age comedy throw back that’s fun and creative. Is it dumb? Yeah. But what were you expecting from a movie called Hot Tub Time Machine in the first place?</p>
<h2>6. Star Wars Uncut</h2>
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<p>This year saw the release of the interview movie “Star Wars: Uncut”. The film is a lovingly remake of Star Wars: A New Hope done shot by shot but literally hundreds of film makers around the world recreating the film 15 second scenes at a time. Are there some rough spots? Yes. But the creativity runs at an all time highs at moments. If you ever wanted to see an S&M animated C3PO or Claymation recreations one of the best sci-fi movies of all time; look no further.</p>
<h2>5. Inception</h2>
<p>The Zero-Gravity Hotel Fight Sequence was the first “holy shit” moment I’ve had watching a movie since the Slowed Down Bullets in The Matrix. Christopher Nolan is a great writer/director and makes some of the best-flawed films of all time. This movie just completely throws a concept at us, with no explanation and just expects us to pick it up and follow along and I absolutely love it for having the balls to leave us very confused.</p>
<h2>4. The Rise and Fall of Five Iron Frenzy</h2>
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<p>Five Iron Frenzy has been my favorite band for over a decade. I’ve seen them live at least 8 times and was greatly upset when they broke up. For years this DVD was in the talks and I waited with bayed breath. I assumed I’d be getting a collection of live footage. I wasn’t prepared for the 3 hours of interviews and the full story of the band. I learned things that I never knew in all the years of loving this band. This is a story about a Christian Band stuck with a title that they possibly didn’t want. They deal with members losing faith, losing family members and losing friendships. This is the story of a band too secular for Christian Audiences and too Christian for Mainstream Radio. It’s a very interesting (but long) story</p>
<h2>3. Scott Pilgrim vs. the World</h2>
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<p>Despite it’s disappointing box-office, Scott Pilgrim Vs. the World is ultimate geek movie of the year and one of the best geek films of all time. Everything in this movie is cast perfectly, the direction is great, the visuals are excellent; there’s very little to dislike. This was the only film I saw multiple times in theaters and with good reason, it’s a fun and fast paced movie and it’s fun to share with friends. While the Box-Office wasn’t there, the cult following it’s sure to develop over the next few years is somewhere out there.</p>
<h2>2. Toy Story 3</h2>
<p>Admit it, you cried like a bitch while watching this movie; multiple times, I know I did. Pixar is an unstoppable movie company. It says a lot when you’re watching a G rated kids movie and you sincerely don’t know if characters will be killed or not. That’s the type of tension this movie creates. If you’ve seen this movie, you know why this is here, if you haven’t seen it… get on that shit.</p>
<h2>1. Best Worst Movie</h2>
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<p>Any serious b-horror movie enthusiast is aware of the utter and amazing levels of shittiness that’s Troll 2. Best Worst Movie is a documentary about the actors and filmmaker involved in making the one of the worst movies ever made. The levels of character development you witness in this movie are incredible. We see the actors who went on to have normal lives as dentists, musicians or continue acting; others who are legitimately insane not to mention a director who still believes the film is a masterpiece. It’s a documentary about fandom. It’s about people who discover something they’ve always been ashamed of is actually beloved by others. It’s touching watching them meet their fans, but at times its tragic and other times it’s simply hilarious. (I am aware that technically the movie was released in 2009 but it never got a huge release and was a pain in the balls to find… as far as I’m concerned it’s a 2010 movie).</p>
<h2>WORST MOVIE OF THE YEAR:</h2>
<p>The Last Airbender – this movie is a shining example of ignoring the source material to just tell the story that you want to tell under the guise of a beloved source material. Everything in this movie fails in every way possible.</p>
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<h2>Brian Walton’s Top 3 Movies No One Else Mentioned</h2>
<p>My top ten was full of movies other people brought up and summarized quite perfectly, so there’s no reason to beat you over the head with more of the same. Just no that as far as my colleagues entries are concerned, “I concur.” Here are the few movies no one else mentioned that I loved this year.</p>
<h2>3. She’s Out of My League</h2>
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<p>I love being surprised by movies I have low expectations for. We seem to put a low priority on romantic comedies nowadays, but She’s Out of My League was fun and charming. Few Films can be called charming lately, but League has it in spades.</p>
<h2>2. Legend of the Guardians: The Owls of Ga’Hool</h2>
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<p>Zack Snyder’s Owl movie is an adventurous, action filled 90 minutes. Toy Story 3 and How to Train Your Dragon are getting all the year end best of talk, but Legend of the Guardians was a solid film with some breathtaking visuals. It’s simpler than the others, but that doesn’t make it worse. Plus, Owls are fucking adorable.</p>
<h2>1. The People Vs George Lucas</h2>
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<p>Caught this at the LA Film Fest and expect it to get a real release next year. This documentary does a wonderful job of shifting it’s focus as to who it’s about. Is it about George Lucas ad the shame he brought to the Star Wars Saga, or is it about the fans, who can’t let go of their obsession? Brilliant balanced and paced. Yes, it features Jonathan, but it’s still worth watching. </p>
<h2>Worst – Cop Out</h2>
<p>We reviewed it on my first episode of Geekscape, and it is a horribly painful movie to watch. Unfunny, uninteresting, and uninventive. This movie is just un.</p>
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